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Composition
A series of exercises in art structure for the use of students and
teachers
By Arthur Wesley Dow
Professor of Fine Arts in Teachers College, Columbia University New
York City
Formerly Instructor in Art at the Pratt Institute
Author of Theory and Practice of Teaching Art and The Ipswich
Prints
NINTH EDITION¡ªREVISED AND ENLARGED WITH NEW
ILLUSTRATIONS AND COLOR PLATES
Garden City, New York
DOUBLEDAY, PAGE & COMPANY
1914
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±×¸²±×¸®±âÀÇ ±¸µµ¹ý.Composition by Arthur Dow
Contents
£¿ BEGINNINGS
£¿ THE THREE ELEMENTS
£¿ I. LINE¡ªNOTAN¡ªCOLOR
£¿ LINE DRAWING
£¿ II.¡ªJAPANESE MATERIALS AND BRUSH PRACTICE
£¿ PRINCIPLES OF COMPOSITION
£¿ III.¡ªWAYS OF CREATING HARMONY
£¿ LINE
£¿ IV.¡ªCOMPOSITION IN SQUARES AND CIRCLES
£¿ V.¡ªCOMPOSITION IN RECTANGLES¡ªVARIATION
£¿ VI.¡ªLANDSCAPE COMPOSITION
£¿ VII.¡ªCOMPOSITION IN REPRESENTATION
£¿ NOTAN
£¿ VIII.¡ªHARMONY-BUILDING WITH DARK-AND-LIGHT
£¿ IX.¡ªTWO VALUES¡ªVARIATIONS¡ªDESIGN
£¿ X.¡ªTWO VALUES¡ªLANDSCAPE AND PICTURES
£¿ XI.¡ªTWO VALUES¡ªGOTHIC SCULPTURE JAPANESE DESIGN BOOKS.
APPLICATIONS OF TWO VALUES
£¿ XII.¡ªTHREE VALUES
£¿ XIII.¡ªMORE THAN THREE VALUES
£¿ COLOR
£¿ XIV.¡ªCOLOR THEORY
£¿ XV.¡ªCOLOR DERIVED FROM NOTAN
£¿ XVI.¡ªCOLOR SCHEMES FROM JAPANESE PRINTS AND FROM TEXTILES
£¿ COMPOSITION
£¿ XVII.¡ªIN DESIGN AND PAINTING
£¿ CONCLUSION